There is a Detroit Graffiti artist that goes by the name of Malt. He is also known as “Brown Bag Detroit”. His work is colorfully distinct and somewhat eerie and moody. It consists of mind-blowing forest scenes, owlish characters and unusual birdlike heads with eyes that seem to follow our every move. He calls his vibrant work “The Acid Forest”. His recognizable work can be found in many of the city’s hot graffiti galleries along Grand River Avenue, downtown’s Dequindre Cut and midtown’s Lincoln Street Art Park. Malt’s large scale wall paintings can also be seen on the “Recycle Here” building just around the corner from the Lincoln Street Art Park.
Although I’ve seen his stylized, bubble-letter name spray painted along railroad tracks and elsewhere, his bird-like and owlish paintings are the pieces that really seem to stand out. The unusual oversized characters found in the series feature menacing looking big-eyed, hawkish faces on feathered bodies. They, along with his gnarly woodland murals, look like something from an unknown supernatural world, deep within the acid forest. In some cases, the bodies of the strange mythical-looking creatures are entwined in the dark, moody forest as if they’re one in the same, and feature course feathers which remind me of sharp-edged fish scales found on a freshwater carp.
The owls he paints are similar in style, and they too have a certain distinct edge to the feathers. The large nocturnal bird drawings are simple in design, yet engaging. They are painted in earth tone shades with hints of pastel colors and seem to be at ease in their urban environment. They also appear to cast a calming, alluring effect as they look down on us through half-open eyes, much like a mysterious Egyptian cat.